THE CONTEMPORARY POLITICAL PLAY: RETHINKING DRAMATURGICAL STRUCTURE

Published by Bloomsbury Methuen Drama (2017)

contemporary political play

What does it mean for a play to be political in the 21st century? Does it require explicit engagement with events and situations with the aim of bringing about change or highlighting social wrongs? Is it purely a matter of content or is it also a matter of structure?

The Contemporary Political Play: Rethinking Dramaturgical Structure examines the politics of contemporary 'political' drama. It traces the origins of the contemporary British political play to the emergence of the idea of 'serious drama' in the late 19th century through the work of Bernard Shaw, and argues that a Shavian version of serious drama was inextricably linked to the social and political structures of British society at the time. While political drama is still often thought of as adhering to a Shavian model in which social issues are presented through a dialectical structure, Grochala argues that the different political structures of contemporary Britain give rise to formally inventive dramaturgies that are no less 'serious' or political than their Shavian forebears.

Through analysing the experimental dramaturgies of contemporary plays by playwrights including Caryl Churchill, Simon Stephens, Anthony Neilson, debbie tucker green and Mark Ravenhill, among others, it offers a set of new principles for understanding how a play functions politically and reveals how today the dramaturgical structure of a play is as political as its content.

'The Contemporary Political Play: Rethinking Dramaturgical Structure is a valuable resource for students and academics, as well as to new and established playwrights. This book will become a staple in my arsenal as an academic, lecturer and playwright. I found the book so useful that I began using it in my teaching and lectures even before I had finished reading it.’ Greg Homann, South African Theatre Journal

'Her book is at its most powerful when it engages with such divided selves and spaces, as well as the creative impulses that lie behind them.'  Lara Williams, TLS

'This is an absolutely fantastic book, beautiful written and argued, it has paid for itself many times over in introducing me to frames of reference, concepts and writers I didn't know about. If you are involved in theatre in any way, I would urge you strongly to invest in this book. The bibliography alone is a wealth of references and writings to follow.'  Customer Review, Amazon

 

 

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